宜家

  • 耐莉·弗利达 休伯·史塔普 Horace Cohen
  • 120分钟
  • <p>  6 out of 7 people found t… <p>  6 out of 7 people found the following comment useful.<br/>  A brilliant and outragously funny satire of society, 7 December 1999<br/>  Author: Dave Joerg (joerd000@mail.zdv.uni-mainz.de)<br/>  "Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.<br/>  Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:<br/>  "Flodders -Eine Familie zum knutschen"<br/>  Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.</p>
剧情简介
影片影评
经典台词
人物角色
1986年,荷兰导演迪克·麦斯以其标志性的社会写实笔触,将镜头对准阿姆斯特丹郊区一家新兴的宜家家居商场,推出影片《宜家》。影片以80年代欧洲消费主义浪潮为时代画布,通过一个普通员工的视角,撕开了荷兰中产阶级看似光鲜的生活表象。主角托马斯是宜家“样板间体验区”的年轻销售顾问,他怀揣着为怀孕妻子打造理想之家的朴素愿望,却在日复一日的商品推销中逐渐陷入消费主义的漩涡:商场管理层以“民主设计”为噱头推行流水线式服务,将员工异化为标准化话术的传递者;顾客群体则带着各自的欲望涌入——工薪家庭为“第二件半价”精打细算,商人在样板间签下商业合作,而一位神秘的老妇人则用购物清单丈量着亡夫的遗物。故事在托马斯的双线挣扎中展开:白天,他被迫用“模块化衣柜=灵活人生”的话术安抚焦虑的主妇,夜晚回到逼仄的出租屋,看着妻子因无法负担真正“宜家风格”的婴儿床而流泪。影片中段,老妇人离奇失踪的行李箱、亨克经理抽屉里的匿名恐吓信、以及托马斯偶然发现的“样板间密室”,将表面的消费叙事推向悬疑深渊,最终揭示80年代荷兰社会“繁荣”表象下,个体精神被资本与物质双重挤压的生存困境。
《宜家》是一部兼具历史厚重感与情感深度的优秀作品。剧本方面,导演迪克·麦斯通过对宜家创始人真实经历的改编,巧妙地将个人成长与企业发展结合在一起,既展示了主人公的内心世界,也揭示了商业世界的复杂性。影片的结构紧凑,情节跌宕起伏,尤其是对关键事件的处理极具戏剧张力。演员们的表演也非常出色,特别是主角的扮演者,其自然真实的演技让角色形象更加丰满立体。影片不仅在艺术上具有高度观赏性,更在历史价值上提供了重要的文化参考,向观众传达了关于创新、坚持和梦想的重要信息。此外,影片中的许多台词至今仍能引起观众的共鸣,成为激励人心的经典语录。整体而言,《宜家》是一部值得推荐的佳作,无论是在剧本创作、演技表现还是历史价值方面都堪称典范。
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约翰(对着衣柜尸体):'他们说宜家的衣柜能装下一切,却没人想过,它也能藏下人命。'
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范·德·林登(拍着约翰肩膀):'小子,80年代的荷兰,要么当宜家的家具,要么当被拆解的零件。你选哪个?'
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亨克(微笑着):'约翰,你以为你在查案?你查的是资本的心脏——而心脏是不会流血的,它只会跳动。'
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安娜(死前短信):'第12页,第12页藏着他们的秘密。'
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约翰(对着空荡荡的宜家展厅):'我曾以为这里是家的起点,现在才知道,是坟墓的入口。'
英格瓦·坎普拉德
🎭演员:彼得·萨尔斯特罗姆
作为影片的核心人物,英格瓦是一个典型的理想主义者与实干家的结合体。他的性格坚毅果断,富有远见,但同时也饱含人情味。通过这位角色,观众得以了解一位成功企业家背后的辛酸与挣扎。演员通过细腻的表情和坚定的眼神,将这一复杂的角色演绎得栩栩如生。
安娜
🎭演员:玛丽亚·海因里希森
安娜是英格瓦的妻子,她不仅是他的生活伴侣,也是他在事业上的坚强后盾。她的角色虽然戏份不多,但却是整个故事中不可或缺的一部分。她代表了传统女性的温柔与智慧,同时也在关键时刻给予丈夫支持与鼓励。演员用克制而真挚的表演赋予了这个角色更多的层次感。
老坎普拉德
🎭演员:莱纳特·霍尔姆伯格
老坎普拉德是英格瓦的父亲,一个典型的瑞典农民。他的角色象征着旧时代的价值观与生活方式。他与儿子之间的关系充满了矛盾与理解,这种亲情的描写非常真实感人。演员通过沉稳内敛的表演,将这一角色塑造得朴实而深刻。

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