不安分的年轻人们

  • 帕斯卡尔·普缇 安德丽·帕里西 雅克·夏里尔 洛朗·特兹弗 让-保罗·贝尔蒙多 达妮·萨瓦尔
  • 120分钟
  • Middle class student Bob Letellier enters a new wo… Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
剧情简介
影片影评
经典台词
人物角色
《不安分的年轻人们》是法国导演马塞尔·卡尔内于1958年执导的一部电影,影片以战后法国社会为背景,描绘了一群年轻人在动荡时代中的迷茫与反抗。故事围绕着一群生活在巴黎郊区的年轻人展开,他们不满于社会的束缚与传统的价值观,试图通过自己的方式寻找生活的意义。主人公们面临着失业、家庭矛盾和社会歧视等多重压力,他们的生活充满了不安与挣扎。影片通过细腻的叙事和真实的情感刻画,展现了那个时代年轻人的精神状态和社会现实。影片的时代背景是战后法国的经济复苏期,社会正在经历巨大的变革,年轻一代在传统与现代的夹缝中寻找自己的位置。影片的剧情紧凑,人物形象鲜明,通过对这群年轻人生活的描绘,反映了当时社会的普遍问题。
《不安分的年轻人们》在剧本上展现了马塞尔·卡尔内对战后法国社会的深刻洞察。影片通过多线叙事,将不同背景的年轻人故事交织在一起,形成了一幅生动的社会画卷。演员们的表演自然真实,尤其是主角们的情感表达,既有爆发力又不失细腻,成功塑造了立体的人物形象。从历史价值来看,这部电影是法国新浪潮运动前的重要作品,它预示了后来新浪潮电影对年轻人主题的关注。影片在摄影和剪辑上也颇具匠心,黑白画面的运用增强了时代感和戏剧张力。整体而言,《不安分的年轻人们》不仅是一部优秀的艺术电影,也是研究战后法国社会文化的重要资料。
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我们不是在生活,是在和时间玩一场谁先眨眼的游戏。
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规则是给那些不敢冒险的人定的,我们天生就是来打破它的。
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别跟我谈明天,明天的太阳升起时,我已经换了三个派对和两副面孔。
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他们说我是个骗子,可这个世界上谁不是在演戏?
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当你的车在午夜的公路上飞驰,连风都在为你尖叫,你才会觉得自己还活着。
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爱情?那不过是派对结束后需要找个人一起喝咖啡的借口。
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你以为我在犯罪?不,我只是在用他们的方式拿回属于我的东西。
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如果青春注定要燃烧,我宁愿烧得连灰烬都不剩。
鲍勃
🎭演员:让-保罗·贝尔蒙多
鲍勃是影片的核心人物,他代表了那个时代年轻人的反抗精神。他拒绝接受社会的既定规则,渴望自由,但同时也充满了迷茫和不确定性。
米歇尔
🎭演员:安妮·吉拉尔多
米歇尔是鲍勃的女友,她是一个独立而坚强的女性角色。她试图在传统与现代之间找到平衡,但最终选择了自己的道路。
雷蒙
🎭演员:热拉尔·布兰
雷蒙是鲍勃的朋友,他是一个理想主义者,相信通过革命可以改变社会。他的角色展现了年轻人对未来的憧憬和幻灭。
莉莉
🎭演员:达尼埃尔·达里厄
莉莉是一个充满魅力的女性角色,她利用自己的聪明才智在社会中生存,但也因此陷入了道德困境。

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