萨乐美

  • 艾拉·娜兹莫娃
  • 120分钟
  • Salomé (1923), a silent film directed… Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
剧情简介
影片影评
经典台词
人物角色
《萨乐美》作为1923年的无声电影,在剧本改编上极大程度保留了王尔德原作的颓废美学与诗性对白,虽为默片,却通过字幕卡传递出浓烈的文学质感。影片摒弃了传统叙事的线性流畅感,转而用象征性场景堆砌情绪,剧本结构紧凑,将宗教压抑、人性欲望与权力博弈交织在一起,极具戏剧张力。艾拉·娜兹莫娃饰演的萨乐美堪称默片时代最惊艳的表演之一,她以极具控制力的肢体语言、夸张而富有张力的面部表情,将角色的痴迷、偏执与毁灭欲演绎得淋漓尽致,无需台词便传递出极致的情感冲击。导演在视觉呈现上极具先锋性,大量使用高对比度布光、异域风情的布景与装饰艺术风格的设计,使影片呈现出类似舞台剧的仪式感。从历史价值看,本片因题材涉及宗教与情欲,在上映后遭到多国审查与删减,但也因此成为早期电影争取表达自由的标志性作品。它影响了后世如德里达·费里尼等导演对宗教与人性题材的处理方式,是默片时代将文学、戏剧与电影艺术融合的典范,其视觉风格与主题深度至今仍被反复研究。
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我渴求你的唇,约翰。
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把施洗者约翰的头颅给我,放在银盘里。
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你为何如此冰冷?你的话语像火,却灼伤不了我。
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我见过你,约翰,我见过你,我便再也无法爱上别人。
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这头颅,它终于属于我了。
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希律王,你许下的诺言,我如今来索取。
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你的神救不了你,也挡不住我的渴望。
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爱,是可以吞噬一切的深渊。

同主演

  • HD
  • HD中字